Answer:
Poussin combines nature and geometric architectural elements in Landscape with Saint John on Patmos, to let the viewer know this is a fictional or idealized landscape roman
Explanation:
Nicolas Poussin was a great French artist and a great influence on classicism. His works were extremely poetic and expressive that appealed to the emotion of those who saw his works, however he constantly put elements that influenced reason and mathematical rigor. He wanted his works to express a purity and an adequate sentimentality with the presence of rational, academic and often philosophical factors.
An example of this is the constant portrayal of nature aligned with geographic elements in its landscapes. Poussin combines nature and geometric architectural elements in Landscape with Saint John on Patmos, to let the viewer know this is a fictional or idealized landscape roman.
Anna is retouching some photographs. Which change is ethical and which is unethical?
changing the skin tone of
a woman to make her
appear to belong to
another race
increasing the size of the
toolkit of a carpenter who
is building a tree house
retouching the photograph
of a model to make her
appear thinner for a gym
advertisement
changing the color of the
marker in a teacher's
hand from blue to black
removing strewn contents
in a photograph of a
crime scene to make it
visually pleasing
ethical
unethical
which compositional period was most productive for beethoven afirst b second c third d fourth
Answer:
c third
Explanation:
Who was the greatest artist of the High Renaissance? Name three works of art and
describe how they epitomize the artist's individual style, mention the medium the artist
used and how that medium was used affectively by the artist. Compare the artist's
work to at least two other artist's works both objectively and subjectively, and explain
why the artist you chose was the greatest artist of the High Renaissance.
Answer:
Leonardo Da Vinci
Explanation:
Mona Lisa, The Last Supper, Vitruvian Man.
What are some of the ways the drawing, painting and printmaking techniques differ in their history and development?
The drawing emerged with the need of man to portray a situation on a surface through points, lines and shapes. Over time, the drawing becomes an artistic technique that can also be the result of an artist's work, where a smooth surface is marked, with a pencil or pen, in connected lines and dots that result in the creation of an image , a flat and two-dimensional shape.
The painting, in turn, presented itself as an elitist form of plastic art, which differs from the drawing by the use of liquid or pasty pigments (paints), which adds to the work textures, hues, tones and depth. It is a technique that also aims to represent something, however, painting generally has a more intense meaning and requires more techniques to be executed. In other words, drawing is representation through lines, while painting is representation through colors.
Printmaking, in turn, differs from drawing and painting (using smooth surfaces) in that it uses hard surfaces to represent something. Printmaking is a set of techniques that uses materials such as medeira, stone, bricks and metals as the main exhibition vehicle. It does not usually express itself through colors or lines, but it presents itself as a more aggressive form of art, expressing itself through corrosions, incisions, cuts and gashes.
Create woodcuts enables the artist to ?
Answer:
make multiples
Explanation:
woodcuts are a form of printmaking where you carve an image in a block of wood and ink of the wood to run through a press and transfer onto paper. the benefit of this is that you can print the block many times, making multiple prints of the same image. (sort of like a stamp)
Answer:
copy images more than once
Explanation:
The artist that painted the image below became
B. Court painter for the Medici family. Hope I helped! :)) now go and pass that test I believe in you
Answer:
B
Explanation:
5 ways in which computer has influence typography and lettering
Answer: The first three volumes were stunning. It wasn’t until a new edition of Volume 2 was to be reset with primitive digital type instead of the traditional metal type of the earlier editions that there was a problem. Horrified by the inferior results, Knuth took it upon himself to improve things. After all, digital type was software, right? Determined to develop a solution, Knuth stopped work on his books and devoted himself to typography for the next 10 years. The result: The TeX typesetting system and the Metafont font description language. The combination of the two offered powerful typographic control that hasn’t been matched (even today), especially for complex typesetting like mathematical formulas.