which of these religious practices is not traditionally practiced in east asia?
a. jainism
b. daoism
c. buddhism
d. confusciansim

Answer:

Wohaaa

Explanation:

Answer:

oof

Explanation:

Answer:

The painter of the night is the most popular manga un bl webtoon

Answer:

there really isn't the BEST but I enjoyed 19 Days By Old Xian and painter of the night

Answer:

Cat nor and mari ;)

Explanation:

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Answer: stay clear of bitter befor a preformance i found that milk helps but mabey thick water can to

Answer:

all the music's are my favourite...... and all the singer r my fav tooo cuz all of them have an unique voice!

Answer:

4

Explanation:

Answer:

A,D,C,B,D

Explanation:

True

But you need to warm it up after you take it out.

Hope this helped!!

Answer:

A. metaphor

Explanation:

Answer:

B.) Alliteration

Explanation:

Alliteration is the repatition of the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. In this example, you can see the consonant "f" repeating closely together; 'familiar', 'feeling', and 'fatherhood'.

Answer:

The principles of art represent how the artist uses the elements of art to create an effect and to help convey the artist's intent. The principles of art and design are balance, contrast, emphasis, movement, pattern, rhythm, and unity/variety.

Elements of art are stylistic features that are included within an art piece to help the artist communicate. The seven most common elements include line, shape, texture, form, space, colour and value, with the additions of mark making, and materiality.

The principles of design describe the ways that artists use the elements of art in a work of art. Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable.

Explanation:

Hope this helps :)

Answer:

Its very colorful, and included different paint strokes.

Its name: Street of an old town art

Artist: Leonid Afremov

Description: Its colorful and the lights make the tiny pieces the artwork is made up with glow.

Analysis: Its organizing the little colorful pieces to look like a street at night while it is raining!

Interpretation: Well the nights have tucked away the citizens of the street, and its raining so I'm assumings its supposed to be calming but dreary. I may not want to be in the artwork, because of how well its raining outside.

Judgment: This is a very successful work of art, I love how the rain complements the colors! Its like the painting it wet from  the rain so all of the colors just pop out of the frame!

Explanation:

Hope this helps! :) Please mark as brainliest! :)

Answer:

The writer is the first director of the script. That is to say that the writer has already seen the movie in his or her mind’s eye, scene by scene, shot by shot.

But because the writer has seen the film so vividly, down to the smallest of details, one of the pitfalls the novice screenwriter often falls prey to is the assumption that he or she needs to write in the camera instructions so the director, cinematographer, editor, and others can see how the movie should be filmed.

Big mistake.

The writer’s job is never to direct on the page, that is to determine how the shot or scene should be filmed. That’s the director’s job, and unless you’re fortunate enough to be directing his or her own screenplay, it is never wise to dictate to the director, cinematographer or film editor how they should do their jobs. You need to write vividly with strong visuals and dramatic action so that the page comes to life for the reader.

Understandably, screenwriters see the film as they write it. They see it in shots – often very specific. But what is a shot? A shot can be quick, long, stationary, sweeping, etc. It can be anything the writer envisions, so essentially, a shot is what the camera sees? And scenes are made up of shots – either a single shot or a series of many.

But the writer should never be concerned about what kind of shots or how many. None of that matters until pre-production and principle photography begins. Ten different directors could take the same script and storyboard ten very different ways to shoot the scenes. One director might use a moving master shot, another might use a combination of a wide and two over the shoulders, and still another might use a dozen different shots, including aerials and inserts.

Clearly, there is an infinite number of ways to shoot a scene, and this should never be in the forefront of the writer’s mind; therefore, you must avoid using too many camera positions such as ZOOM IN, PAN LEFT, ANGLE ON, CRANE SHOT, CLOSE UP, PUSH IN, TRACKING SHOT, etc.

But if the writer visualizes the scene in shots, and a shot is what the camera sees, and you should avoid using camera terminology when writing dramatic action, how then do you write the shot?

Visualize the subject. Then describe the shot. What is important visually will be clear to the reader. And it won’t matter whether the director chooses to use a CLOSE UP, MASTER SHOT, INSERT, or surveillance camera POV, etc. If you’ve done your job, the subject of the shot will still be the focal visual element regardless of the execution of a specific shot.

Explanation:

To go about this process it is important to note that you are to choose a play or a film script that is gone through all processes required illegal to be gone through to avoid discrepancies. I will also recommend you chose a popular film as it is more relatable. This is further explained below.

Generally, a camera shot is simply defined as a single-camera shot is made up of a sequence of images taken in succession from the start of the camera's roll to the end of the roll.

In conclusion,   camera shots fit different scenes e.g

Read more about camera shots

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