The statement "In writing about Un Chien Andalou (Fig. 10.38), Luis Buñuel claimed that his aims were to evoke instinctive reactions of attraction and glorification in the audience" is False.
Luis Buñuel's film Un Chien Andalou (An Andalusian Dog) is a classic example of Surrealist cinema. It's a silent short film created in collaboration with the artist Salvador Dali. It was released in 1929. This movie is known for its unconnected, fragmented, and seemingly pointless series of scenes.
The film Un Chien Andalou has often been seen as a deliberate assault on the spectator's consciousness and an attempt to produce a mood of anxiety and terror rather than one of attraction and glorification. Its stated goal was to "assault the viewer with the most startling, vivid, and incongruous visual images possible," with the ultimate aim of freeing the audience from their conventional thought patterns.
This, in turn, would stimulate their creativity by enabling their unconscious to take over
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