For whom is it LEAST appropriate to be speaking loudly in an art museum?
A. a group of small children at the museum for the first time
B. a guard warning someone to step back from a painting
C. a college-aged couple in a moderately crowded exhibit
D. a tour guide raising their voice to be heard
Since the boy didn’t own much, he
decided to take his chances. A mile
from the village, three hooded robbers
stopped him. The boy challenged them
to a contest. If he won, they would have
to let him go. He beat the first robber by
climbing the highest tree. He beat the
second robber by throwing the farthest
stone. Then he came up against the third
robber. This man was the biggest and most
cunning of them all. The boy wasn’t sure how
to challenge him. Then he had an idea. He
challenged the third robber to guess who
would come down the path next. The robber
guessed that it would be a horse and carriage
with two men inside. The boy listened closely
to the wind. Then he guessed that it would be
a small squirrel. The robbers laughed at his guess. is it falling action or rising action resolution
Answer:
Rising action
Explanation:
the boy is getting to the peak or the main part of the story. It is Rising action.
Answer: this is the rising action
Explanation: also thx for the read whats the name of the story or just the author
Look at The Flagellation of Christ by Piero della Francesca. This painting uses:
The painting "The Flagellation of Christ" by Piero della Francesca incorporates the technique of Option A. linear perspective.
Linear perspective is a method used in art to create the illusion of depth and three-dimensionality on a two-dimensional surface. In this painting, Piero della Francesca employs the technique by using converging lines that recede into the distance, giving the viewer a sense of spatial depth.
However, this painting does not utilize a God's-eye view, which refers to a perspective that simulates an elevated position looking down on a scene. Instead, the viewer is positioned at eye level, engaging with the figures in the painting from a more human perspective.
Additionally, "The Flagellation of Christ" does not employ sfumato, which is a technique developed by Leonardo da Vinci that involves the use of subtle, gradual transitions between tones and colors to create a soft, hazy effect. The painting by Piero della Francesca has distinct, crisp details and defined forms.
Lastly, there is no trompe l'oeil illusion in this painting. Trompe l'oeil refers to a technique that aims to deceive the viewer by creating realistic illusions. "The Flagellation of Christ" does not attempt to deceive the viewer but rather presents a straightforward depiction of the scene.
In conclusion, "The Flagellation of Christ" by Piero della Francesca employs linear perspective to create depth, but does not incorporate a God's-eye view, sfumato, or trompe l'oeil illusion. Therefore the correct option is A
Know more about illusions here:
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