4) What idea is the author conveying in line 8 of this poetic essay? "Is not
dread of thirst when your well is full, the thirst that is unquenchable?"
Thirst is a pain worse than hunger and it must be
quenched
B)
The only well worth having is the well that is always
full
0
If you are full and well fed, you will experience no
anxiety
D)
When you worry without reason, you experience
continual discomfort.

Answer: A positive influence would be a great amount of diversity among each other, a negative influence would be it could cause younger people to want to fit in with society and would do anything to do so

Explanation:

For the positive part it introduces different cultures into one media and for the negative part it introduces anxiety on people to try and fit in

Answer:

i am a male and i think its there choice its obviouly more attractive if they do but at the end of the day its there choice

Answer:C. Organization

Answer:

how

Explanation:

it usually asks a question

The answer is A aka "if."

Explanation:

I got it right on Edge!!! c:

Answer:

Wright, Mrs. Hale experiences guilt for not having visited Minnie Foster. For, she realizes how terribly deprived of comfort and lonely the woman has been.

Answer:  Look down to the explanation

Explanation:

I think it means when you fail, it's another opportunity for you to start again,   but try again diligently. In simple words it means to learn from your mistakes and carefully make choices so you won't have to repeat them again.

I hope this helps you!

Answer:

persuade readers that they should build ships

Explanation:

Answer:

A. Antonyms

Explanation:

I'm doing the test now it's Right

Answer: It’s D: Cause and Effect.

Explanation: Winning caused the effect of Joy, Losing caused the effect of Disappointment. I also have taken this course, don’t be stressed, you got this, and I’m proud of you! C:

Answer:

2. Do you like your job?

3. Does she work here?

4. Do Lin and Julie work together?

5. Where do you live?

6. What does Joe do?

7. Where does Kay work?

8. What do you do at work?

9. Why does Hana work at night?

Answer:

2. do u like your job?

3. Does she work here?

4.Does lin and julie work together ?

5.where do you live?

6.What does joe do?

7.where does kay work?

8. What you do at your work ?

9. Why hana works at night ?

Explanation:

Hope it will help.

Answer:

A

Explanation:

distress

Answer:

B

Explanation:

The sentence tells how Thoreau wants a simple lifestyle and he is vegitarian, owned little and lived simply. Just like Gandi.

if it is wrong I am sorry for taking the points

Answer:ya,A is correct

Explanation:from paragraph itself we can understand

Answer:

Sort of!

Explanation:

"I am waiting here." is a complete sentence. However, "am waiting here" is nor grammatically correct, nor a complete sentence.

— Hope this helps! Brainliest appreciated ♥

Answer:

D. Alarm

Explanation:

Imagine a scenario where a couple of kids are playing around, running wild and all of a sudden they hear heavy foot studs, they are all quiet, all eyes fixed to the doorway trying to know who would come in.

The characters are alarmed because of a particular action that occured for their previous action, ('popping') to stop.

Imagine "Lord of the Flies" with an adult coming in when they were having their frenzied hunting game. The moment they killed Simon

Answer: number 1

Explanation:

Answer:

i think it's B and C and E hope this help

Answer:

50

Explanation:

15  + 10 + 15 +10 = 50

Answer:50cm

Explanation:

This is because we have to use the formula: (2 times L)(2 times W)

so,

2 (15 + 10)

50

Answer: 50cm

Answer:

Its very offensive and can hurt peoples feelings. It can also make people feel bad about themselves

Answer:

1. cardiff

2. ireland

Explanation: i got it right

Answer:

Could we please have the sentences and the word bank please?

Explanation:

what

Explanation:

where is the question

Explanation:

ਸੁਣਕੇ ਜੜਾਂ ਪਾਕਿਸਤਾਨੀ ਪਰਾ ਕਿਸਾਨ ਏਕਤਾ ਜਿੰਦਾਬਾਦ

Answer:

B. Alliteration

Explanation:

"Wish waver at war"

Three w's.

Answer:

1. JUDITH ORTIZ COFER (b. 1952)

Volar1

Born in Hormigueros, Puerto Rico, Judith Ortiz Cofer just two years later moved with her family, first to New Jersey and later to Georgia, experiences that would inspire much of her later fiction and poetry. "How can you inject passion and purpose into your work if it has no roots?" she asks, avowing that her own roots include a long line of women storytellers who "infected" her at a very early age with the desire to tell stories both on and off the page. After earning an MA at Florida Atlantic University (1977), Ortiz Cofer returned to Georgia, where she is an emeritus professor at the University of Georgia. Among her numerous publications are the novels The Line of the Sun (1989), in which a young girl relates the history of her ne'er-do-well uncle's emigration from Puerto Rico, The Meaning of Consuelo (2003), and Call Me Maria (2006); the poetry collection A Love Story Beginning in Spanish (2005); and The Latin Deli (1993) and The Year of Our Revolution (1998), two collec- tions that seamlessly interweave fiction, nonfiction, and poetry, thereby demonstrating, in Ortiz Cofer's words, "the need to put things together in a holistic way."

At twelve I was an avid consumer of comic books—Supergirl being my favor- ite. I spent my allowance of a quarter a day on two twelve-cent comic books or a double issue for twenty-five. I had a stack of Legion of Super Heroes and Supergirl comic books in my bedroom closet that was as tall as I am. I had a recurring dream in those days: that I had long blond hair and could fly. In my dream I climbed the stairs to the top of our apartment building as myself, but as I went up each flight, changes would be taking place. Step by step I would fill out: My legs would grow long, my arms harden into steel, and my hair would magically go straight and turn a golden color. Of course I would add the bonus of breasts, but not too large; Supergirl had to be aerodynamic. Sleek and hard as a supersonic missile. Once on the roof, my parents safely asleep in their beds, I would get on tiptoe, arms outstretched in the position for flight, and jump out my fifty-story-high window into the black lake of the sky. From up there, over the rooftops, I could see everything, even beyond the few blocks of our barrio;2 with my X-ray vision I could look inside the homes of people who interested me. Once I saw our landlord, whom I knew my parents feared, sitting in a treasure- room dressed in an ermine coat and a large gold crown. He sat on the floor counting his dollar bills. I played a trick on him. Going up to his building's chimney, I blew a little puff of my superbreath into his fireplace, scattering his stacks of money so that he had to start counting all over again. I could more or less program my Supergirl dreams in those days by focusing on the object of my current obsession. This way I "saw" into the private lives of my neighbors, my teachers, and in the last days of my childish fantasy and the beginning of ado- lescence, into the secret room of the boys I liked. In the mornings I'd wake up in my tiny bedroom with the incongruous—at least in our tiny apartment— white "princess" furniture my mother had chosen for me, and find myself back in my body: my tight curls still clinging to my head, skinny arms and legs and flat chest unchanged.

In the kitchen my mother and father would be talking softly over a café con

leche. She would come "wakeme" exactly forty-five minutes after they had got- ten up. It was their time together at the beginning of each day and even at an early age I could feel their disappointment if I interrupted them by getting up too early. So I would stay in my bed recalling my dreams of flight, perhaps plan- ning my next flight. In the kitchen they would be discussing events in the bar- rio. Actually, he would be carrying that part of the conversation; when it was her turn to speak she would, more often than not, try shifting the topic toward her desire to see her

familia on the Island: How about a vacation in Puerto Rico together this year, Querido?4 We could rent a car, go to the beach. We could . . . 5 And he would answer patiently, gently, Mi amor, do you know how much it would cost for all of us to fly there? It is not possible for me to take the time off . . .Mi vida, please understand. . . . And I knew that soon she would rise from the table. Not abruptly. She would light a cigarette and look out the kitchen win- dow. The view was of a dismal alley that was littered with refuse thrown from windows. The space was too narrow for anyone larger than a skinny child to enter safely, so it was never cleaned. My mother would check the time on the clock over her sink, the one with a prayer for patience and grace written in Spanish. A birthday gift. She would see that it was time to wake me. She'd sigh deeply and say the same thing the view from her kitchen window always inspired her to say: Ay, si yo pudiera volar.

Answer:

The phrase shows that the duke is disgusted by his wife's admirers and thinks that they consider themselves more valuable than what they really are.

Explanation:

The word "officious" indicates that someone considers himself too important and is full of himself, but that he doesn't really have that much importance. When the duke uses this word to refer to his wife's admirers, he uses the word in a derogatory way, expressing disgust at the behaviors he is observing both for his wife and for the admirers she presents.

Answer:

ok

Explanation:

it was dangerous what u had to do

Answer:

Bailey asks Maya to tell him who hurt her; Maya is reluctant because of Mr. Freeman's threats, but manages to tell him. Bailey then tells their grandmother, and Mr. Freeman is arrested and is put on trial. At the trial, her whole family and some family friends are there; Mr. Freeman's lawyer asks Maya questions, and when he asks whether Mr. Freeman had touched her before, she lies and says no because she feels she has to.

Answer:

A, The puppy is hungry.

Explanation:

Implicit:

adjective  

- implied though not plainly expressed.

You can tell by the situation that the implied piece of the story is that the puppy is hungry. First, the story outright tells you that the owner is cooking dinner, therefore it is not implied but told directly. Next, the story also tells the reader the the puppy has brown eyes - meaning again that it has been outright told and not implied. Lastly, the story says the the owner is in the kitchen, so D is not an implicit statement.

The story never says outright that the puppy is hungry, but you can tell that he is by the way his tail wags at the sight of food.

Answer and Explanation:

Feel free to change and adapt anything:

I found the visit to the underground caves breathtaking. It was truly scary at first, especially knowing the place hasn't been much explored before. But we had a knowledgeable guide and safety equipment, so the excitement soon replaced the fear. The caves were bigger than I expected, and so silent that we could hear our own breaths and heartbeats. We needed flashlights to be able to look around, and the guide warned us there might be a few bats in at least one of the caverns. We also got to see some stalactites. As we kept on going, we reached a larger cave that had a sort of skylight - an opening on its ceiling that allowed light to flow in. We were able to turn our flashlights off at this point we simply enjoy the natural spectacle. I had a lot of fun. This was an unforgettable experience for me.

aaaaaaaaaaaaaaaaaaaa

Answer:

That they have most likely lived a bright life full of happiness and that they miss their childhood.

Explanation:

Answer:

has a positive outlook on life.

Explanation:

If she didn’t have a positive outlook on life. She uses words to indicate that she had a Happy childhood, the sunshine is bright, and there are beautiful flowers. Therefore makes it seem as though she has a positive outcome.