Answer:
mud
Explanation:
Romantic works like Goya's Third of May, 1808, often a. rely on an emotional response b. critique society/government c. feature chaotic or violent scenes d. all of the above
Romantic works like Goya's "Third of May, 1808" d. all of the above.
The statement is true. Goya's painting, "Third of May, 1808," is a prime example of Romanticism and exhibits all of the mentioned characteristics. Firstly, Romantic works often relied on evoking an emotional response from the viewer, and Goya's painting is no exception. It depicts the execution of Spanish civilians by French soldiers during the Peninsular War, invoking strong emotions of fear, anguish, and empathy.Secondly, the painting serves as a critique of society and government. Goya used this artwork to denounce the violence and injustice of war and to condemn the actions of the occupying French forces. It highlights the brutality and senselessness of the conflict.Lastly, the painting features a chaotic and violent scene, with the juxtaposition of the helpless victims and the menacing soldiers. The use of dramatic lighting and expressive brushwork further enhances the sense of chaos and turmoil.
Therefore, the correct answer is d. all of the above. Goya's "Third of May, 1808" and other Romantic works often rely on an emotional response, critique society/government, and feature chaotic or violent scenes.
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when a set of traits or style is associated with a particular group of artists, the group is known as:
When a set of traits or style is associated with a particular group of artists, the group is known as: A School
During the last six years of his life, Vincent Van Gogh produced 700 drawings and 800 oil paintings. Write the ratio of drawings to oil paintings in three different ways.
During the last six years of his life, Vincent Van Gogh produced 700 drawings and 800 oil paintings. The ratio of drawings to oil paintings can be expressed in the following three different ways:
- As a fraction:
To write the ratio of drawings to oil paintings as a fraction, we need to divide the number of drawings by the number of oil paintings.
Drawing:Oil painting = 700:800
Dividing both the numerator and the denominator by 100 to simplify:
Drawing: Oil painting = 7:8
So, the ratio of drawings to oil paintings is 7:8 or 7/8.
- As a decimal:
The ratio of drawings to oil paintings can be written as a decimal by dividing the number of drawings by the number of oil paintings.
Drawing:Oil painting = 700:800
Dividing both the numerator and the denominator by 100 to simplify:
Drawing:Oil painting = 7:8
So, the ratio of drawings to oil paintings is 7/8 or 0.875.
- As a percentage:
The ratio of drawings to oil paintings can also be expressed as a percentage by multiplying the decimal obtained in the second method by 100.
Drawing:Oil painting = 7:8
Converting the ratio to decimal:
Drawing:Oil painting = 0.875
Multiplying the decimal by 100:
Drawing:Oil painting = 0.875 x 100 = 87.5%
Therefore, the ratio of drawings to oil paintings can be expressed as 7:8, 7/8 or 87.5%.
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PLEASE ANSWER QUICK!!
Daria is having difficulty learning her instrument because her arms aren’t long enough to move the slide into the position for some of the notes. What instrument is Daria MOST likely playing?
A : a cello
Explanation: I played it and I couldn’t reach some notes
Answer:
Trombone
Explanation:
the slide extends out far, making it hard for people with shorter arms to reach certain notes
Are statements true or false?
Dutch Baroque landscapes typically feature a low horizon line ___
The tales of Frankenstein and Dracula come out of Romanticism ___
Statement 1: True. Dutch Baroque landscapes often feature a low horizon line.
This compositional choice was a distinctive characteristic of Dutch landscape painting during the Baroque period. By placing the horizon line low, artists emphasized the expansive sky and the vastness of the Dutch landscape. This technique created a sense of depth and allowed for the inclusion of detailed depictions of the land, water, and atmospheric elements.
Statement 2: False. The tales of Frankenstein and Dracula do not come out of Romanticism.
Frankenstein, written by Mary Shelley, and Dracula, written by Bram Stoker, are both Gothic novels. While Gothic literature shares some thematic elements with Romanticism, such as an emphasis on intense emotions and the supernatural, it is considered a distinct genre. Frankenstein was published in 1818, before the full emergence of Romanticism, and Dracula was published in 1897 when Romanticism had already declined. Both novels have had a significant cultural impact and are associated with Gothic fiction rather than Romanticism.
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1. How did Egyptian artists use difference in scale?
a) To portray the differences in the social hierarchy of each figure in their art.
b) To show their own technical skills.
c) To emphasize the importance of natural objects.
d) They did not use it intentionally.
2. Which of the following is NOT one way that Egyptian artists decorated their pottery?
a) By using steatite to carve small vases and amulets
b) By using enamel to cover pottery
c) With abstract, geometric designs
d) By carving the image of a deity to curry favor in the after life
3. How do art historians characterize Egyptian art?
a) Representational
b) Formal and abstract
c) Chaotic
d) Naturalistic
4. What distinguishes Egyptian statues made of wood?
a) They are quite closed off, with arms held to close to their sides.
b) They are expressive, with limbs opened up to create a more realistic look.
c) They have limited positions.
d) The back pillar is exceedingly strong.
5. Why has African tribal art had a major influence on western art?
a) Its exoticism
b) Its visual impact, due to traditional techniques that result in a distinctive type of realism and perspective
c) Its size and scope
d) The subjects it portrays
1. To portray the differences in the social hierarchy of each figure in their art. Option A is the correct answer.
Egyptian artists frequently used the scale technique to represent the social position and prominence of various individuals in their artwork. Pharaohs and goddesses, for example, were frequently represented as greater in scale than ordinary people or animals, emphasising their superior social status.
2. By carving the image of a deity to curry favor in the after life.
Option D is the correct answer.
While Egyptian craftsmen did use numerous techniques to embellish their pottery, such as steatite to carve miniature vases and amulets, enamel to coat pottery, and combining abstract, geometric shapes, they did not typically carve the image of a deity onto pottery for religious purposes.
3.Representational. Option A is the correct answer.
Egyptian art is predominantly figurative, according to art historians. The goal of Egyptian artists was to depict the human and natural worlds in a recognisable and realistic manner. Rather than attempting abstract or chaotic depictions, their artwork frequently focused on depicting persons, animals, and things in a clear and recognisable manner, emphasising their key traits.
4. They are quite closed off, with arms held to close to their sides.Option A is the correct answer.
Egyptian wood statues are frequently distinguished by a closed-off pose in which the arms are clasped closely against the body. This style follows Egyptian sculpture's ancient traditions and artistic tastes, which attempted to convey a sense of stability and permanence. The closed-off position also permitted
5. Its visual impact, due to traditional techniques that result in a distinctive type of realism and perspective.Option B is the correct answer.
Because of its striking effect, African tribal art has had a significant influence on Western art. Western artists have taken an interest in traditional techniques used in African tribal art, such as stylised realism, expressive forms, and imaginative use of materials. Many Western painters have been inspired and motivated by the unusual viewpoints, dynamic compositions, and rich symbolism found in African tribal art, leading to the inclusion of these themes in their own works. Western artists' investigation of African art has also challenged old Eurocentric concepts of aesthetics and increased the possibilities for artistic expression.
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