exposition → the point in a story when the reader first learns about the characters and setting
rising action → the part of a story when the conflict begins and events follow from that conflict
climax → the most intense part of a story, where the main character faces a major crisis
falling action → the moment when the main character has a change of heart or figures out how to overcome the conflict at hand
resolution → the point in the story when all loose ends are tied up and the story ends
How to explain the informationIn literature, we can define the exposition as the part of the story where the narrator introduces the characters, the setting, and the theme to readers. This where the author sets the stage for the story to happen.
Rising action happens after the exposition, when the environment for conflicts to arise has been established. Rising action consists of a series of events, smaller conflicts, that will eventually lead to a major conflict.
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Match each plot element to its definition.
Match Term Definition
Climax A) The turning point of a story where the protagonist makes a decision to resolve the conflict
Exposition B) The part of a story where the conflict increases and the tension or suspense builds
Falling action C) The conflict is resolved, and the life lesson learned by the protagonist becomes clear
Resolution D) The beginning of a story, in which you are introduced to the characters and the setting
Rising action E) The protagonist faces the consequences of their decision in the turning point
Mental Rotation CogLab
Every day, we have to map, orient around, and recognize objects in our environment quickly and efficiently. When asked to recognize objects that have been rotated from the normal or usual view, our reaction time increases with the angle of rotation. This suggests that it takes time to mentally rotate an image and implies that mental images are much like real images, inferring an analog mental representation code. This experiment allows you to get hands-on experience with the concept of mental rotation.
Question: Why do you think would individuals who are fluent in American Sign Language have lower reaction times in this experiment, even when the shapes are rotated?
Individuals who are fluent in American Sign Language may have lower reaction times in the mental rotation experiment because sign language utilizes spatial processing skills, which are also involved in mental rotation tasks.
When individuals learn and use American Sign Language (ASL), they develop strong spatial processing skills as they rely on the visual-spatial aspects of signing. ASL incorporates specific handshapes, movements, and spatial locations to convey meaning. This constant engagement with spatial information enhances individuals' ability to mentally manipulate and rotate objects in their minds.
In the mental rotation experiment, participants are asked to recognize objects that have been rotated from their normal view. Mental rotation involves mentally transforming an object's orientation to match the target orientation. Since individuals fluent in ASL already possess well-developed spatial processing skills, they are likely to have a more efficient mental rotation process.
The ability to mentally rotate objects quickly and accurately can be seen as a transferable skill from using sign language. When fluent ASL users encounter rotated shapes, they can leverage their spatial processing skills to mentally rotate the object more swiftly and accurately than those without this experience. As a result, their reaction times in the experiment are lower compared to individuals who are not fluent in ASL.
In summary, the lower reaction times exhibited by individuals fluent in American Sign Language during the mental rotation experiment can be attributed to their enhanced spatial processing skills, which they develop through the constant engagement with spatial information in sign language communication.
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