Courbet's "Stone Breakers" and "Burial at Ornans" d. all of the above.
Courbet's "Stone Breakers" and "Burial at Ornans" encompass all of the mentioned characteristics. Firstly, these artworks are sympathetic to the working classes. "Stone Breakers" portrays two laborers engaged in arduous and unglamorous work, highlighting the plight of the working class. Similarly, "Burial at Ornans" depicts a funeral procession of ordinary people, emphasizing the dignity and significance of their lives. Secondly, both paintings challenge the standards and expectations of the Academy, which was the influential art institution of the time. Courbet sought to break away from the idealized and grandiose subjects favored by the Academy and instead focused on representing everyday life and ordinary people. This departure from conventional artistic norms was a significant challenge to the established order.Lastly, "Burial at Ornans" is indeed a depiction of Courbet's neighbors. The painting portrays a realistic gathering of individuals from the artist's hometown, Ornans, rather than depicting idealized or historical figures. Courbet aimed to capture the authenticity of ordinary people and their experiences.Therefore, the correct answer is d. all of the above. Courbet's "Stone Breakers" and "Burial at Ornans" are sympathetic to the working classes, challenge the standards of the Academy, and depict the artist's neighbors and everyday life.
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Are statements true or false?
Dutch Baroque landscapes typically feature a low horizon line ___
The tales of Frankenstein and Dracula come out of Romanticism ___
Statement 1: True. Dutch Baroque landscapes often feature a low horizon line.
This compositional choice was a distinctive characteristic of Dutch landscape painting during the Baroque period. By placing the horizon line low, artists emphasized the expansive sky and the vastness of the Dutch landscape. This technique created a sense of depth and allowed for the inclusion of detailed depictions of the land, water, and atmospheric elements.
Statement 2: False. The tales of Frankenstein and Dracula do not come out of Romanticism.
Frankenstein, written by Mary Shelley, and Dracula, written by Bram Stoker, are both Gothic novels. While Gothic literature shares some thematic elements with Romanticism, such as an emphasis on intense emotions and the supernatural, it is considered a distinct genre. Frankenstein was published in 1818, before the full emergence of Romanticism, and Dracula was published in 1897 when Romanticism had already declined. Both novels have had a significant cultural impact and are associated with Gothic fiction rather than Romanticism.
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when a set of traits or style is associated with a particular group of artists, the group is known as:
When a set of traits or style is associated with a particular group of artists, the group is known as: A School
Question 81.5 pts
Which of the following is the least preferred causal research
design?
Group of answer choices
Pre-test
Post-test
Pre-test and post-test
Control test
Pre-test and post-test with a con
Among the options listed, the least preferred causal research design is Pre-test and post-test with a control group.
In causal research, the objective is to establish a cause-and-effect relationship between variables. Different research designs are employed to achieve this goal. Among the options provided, the pre-test and post-test design with a control group is the least preferred.Pre-test and post-test with a control group design involves measuring the outcome variable before and after the treatment or intervention, while also including a control group that does not receive the treatment. Although this design allows for the comparison of the treatment group to the control group, it has some limitations. One limitation is that the design can be susceptible to threats to internal validity, such as selection biases and history effects. The control group may not be equivalent to the treatment group at the outset, making it challenging to attribute the observed differences solely to the treatment. Additionally, external factors or events during the study period can influence both the treatment and control groups, potentially confounding the results.Other designs, such as randomized controlled trials (RCTs) or matched pairs design, provide stronger control over confounding factors and help establish causal relationships more effectively. These designs minimize biases and increase the reliability of causal inferences.Therefore, while the pre-test and post-test with a control group design can still provide valuable insights, it is considered the least preferred among the listed options for establishing causality in research.
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Italian Baroque works by Caravaggio and Gentileschi often a. feature figures from the Bible/Christianity b. use theatrical or dramatic lighting c. depict violent scenes d. all of the above
The correct answer is (d) all of the above-mentioned. The Bible or Christianity are frequently used as the inspiration for Caravaggio and Gentileschi's Italian Baroque paintings.
Some of Gentileschi's best-known works are Susanna and the Elders (1610 version in Pommers Felden), Judith Slaying Holofernes (1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (1625 version is in the Detroit Institute of Arts).
Caravaggio's greatest paintings, those that made his reputation as one of the best history painters in Italy, include The Calling of Saint Matthew (1600) and The Martyrdom of Saint Matthew (1600), for the Contarelli Chapel; Conversion on the way to Damascus (1601) and the Crucifixion of Saint Peter (1601) for the Cerasi Chapel and many more.
To create a sharp contrast between light and dark and to enhance the depth and intensity of their compositions, they frequently use chiaroscuro lighting, also known as theatrical or dramatic lighting. Numerous of their compositions also include violent scenarios that depict dramatic passages from the Bible or actual events.
Caravaggio and Gentileschi were well renowned for their dramatic and emotionally charged techniques, and they combined these elements to create powerful and engrossing artworks.
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Italian Baroque works by Caravaggio and Gentileschi d. all of the above.The statement is true.
Both Caravaggio and Artemisia Gentileschi, prominent Italian Baroque artists, created works that feature figures from the Bible and Christianity. Caravaggio's paintings, such as "The Calling of Saint Matthew" and "The Conversion of Saint Paul," often depict biblical scenes and religious figures. Similarly, Gentileschi's works, like "Judith Slaying Holofernes" and "Susanna and the Elders," draw inspiration from biblical narratives. Additionally, Caravaggio and Gentileschi were known for their use of theatrical or dramatic lighting, a technique known as chiaroscuro. They employed strong contrasts of light and shadow to create a sense of depth, intensity, and emotional impact in their paintings.Furthermore, both Caravaggio and Gentileschi depicted violent scenes in their artworks. Caravaggio's compositions, such as "The Martyrdom of Saint Matthew" and "David with the Head of Goliath," often portrayed moments of intense violence and dramatic action. Gentileschi, influenced by her own personal experiences, depicted strong and heroic women in scenes of violence and retribution, as seen in works like "Judith Slaying Holofernes."
Therefore, the correct answer is d. all of the above. Caravaggio and Gentileschi's Italian Baroque works feature figures from the Bible/Christianity, use theatrical or dramatic lighting, and depict violent scenes.
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what is generally not a factor in deciding the value of an artwork?
Answer: The assumed value of appreciation
Explanation: that normally doesn't factor in deciding the value of artwork instead its something else.
The generally not a factor in deciding the value of an artwork is the name of the art buyer. Artworks' value is determined by numerous factors that have to do with the piece of art's uniqueness, rarity, historical significance, quality, and condition.
In the art market, the art-buying community determines the value of a work of art. The artist's reputation, critical acclaim, museum exhibition history, provenance, and authenticity are just a few of the factors that contribute to a work of art's value. What are some factors that determine the value of artwork?The following are the most significant factors that contribute to a work of art's value:Authenticity: Artwork's authenticity is one of the most important aspects of its value. The artwork's legitimacy must be verified by an expert before it can be sold. Provenance: The artwork's history and origins are also significant in determining its value. Rarity: The rarity of an artwork, such as its production date or how many pieces were created, is an important aspect of its value.Condition: Artwork's condition has a significant impact on its value. The value of an artwork can decrease if it has damage or wear. Quality: The quality of an artwork, such as its materials, craftsmanship, and design, is also important. Historical significance: If an artwork has historical importance or significance, it may be more valuable. Artist's reputation: The artist's reputation can have an impact on the artwork's value. The artist's acclaim and critical recognition, as well as the number of exhibitions in which their works have been shown, are all important.
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During the last six years of his life, Vincent Van Gogh produced 700 drawings and 800 oil paintings. Write the ratio of drawings to oil paintings in three different ways.
During the last six years of his life, Vincent Van Gogh produced 700 drawings and 800 oil paintings. The ratio of drawings to oil paintings can be expressed in the following three different ways:
- As a fraction:
To write the ratio of drawings to oil paintings as a fraction, we need to divide the number of drawings by the number of oil paintings.
Drawing:Oil painting = 700:800
Dividing both the numerator and the denominator by 100 to simplify:
Drawing: Oil painting = 7:8
So, the ratio of drawings to oil paintings is 7:8 or 7/8.
- As a decimal:
The ratio of drawings to oil paintings can be written as a decimal by dividing the number of drawings by the number of oil paintings.
Drawing:Oil painting = 700:800
Dividing both the numerator and the denominator by 100 to simplify:
Drawing:Oil painting = 7:8
So, the ratio of drawings to oil paintings is 7/8 or 0.875.
- As a percentage:
The ratio of drawings to oil paintings can also be expressed as a percentage by multiplying the decimal obtained in the second method by 100.
Drawing:Oil painting = 7:8
Converting the ratio to decimal:
Drawing:Oil painting = 0.875
Multiplying the decimal by 100:
Drawing:Oil painting = 0.875 x 100 = 87.5%
Therefore, the ratio of drawings to oil paintings can be expressed as 7:8, 7/8 or 87.5%.
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Romantic works like Goya's Third of May, 1808, often a. rely on an emotional response b. critique society/government c. feature chaotic or violent scenes d. all of the above
Romantic works like Goya's "Third of May, 1808" d. all of the above.
The statement is true. Goya's painting, "Third of May, 1808," is a prime example of Romanticism and exhibits all of the mentioned characteristics. Firstly, Romantic works often relied on evoking an emotional response from the viewer, and Goya's painting is no exception. It depicts the execution of Spanish civilians by French soldiers during the Peninsular War, invoking strong emotions of fear, anguish, and empathy.Secondly, the painting serves as a critique of society and government. Goya used this artwork to denounce the violence and injustice of war and to condemn the actions of the occupying French forces. It highlights the brutality and senselessness of the conflict.Lastly, the painting features a chaotic and violent scene, with the juxtaposition of the helpless victims and the menacing soldiers. The use of dramatic lighting and expressive brushwork further enhances the sense of chaos and turmoil.
Therefore, the correct answer is d. all of the above. Goya's "Third of May, 1808" and other Romantic works often rely on an emotional response, critique society/government, and feature chaotic or violent scenes.
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please indicated if the following statements about drawings are true or false: An assembly drawing provides all the information for the manufacture of a part
4X on a drawing means a feature is to be repeated four times. A part of a drawing that contains items such as the name of the part, name of the drafter, drawing number, and other similar information is called the Standards Block.
I. The symbol for diameter is D. ... Detailed Assembly Drawings are often used for inseparable assemblies. 1. In detail drawings, sometimes center marks are short, unbroken lines.
Explanation:
An assembly drawing provides all the information for the manufacture of a part: False. An assembly drawing provides a graphical representation of the assembled product. An assembly drawing displays how different parts of the product fit together.4X on a drawing means a feature is to be repeated four times: True. 4X on a drawing is used to indicate that a feature is to be repeated four times. It is called a repeating symbol.A part of a drawing that contains items such as the name of the part, name of the drafter, drawing number, and other similar information is called the Standards Block: False. A part of a drawing that contains items such as the name of the part, name of the drafter, drawing number, and other similar information is called the Title Block.The symbol for diameter is D: False. The symbol for diameter is a circle with a line through it. The circle represents the diameter and the line represents the imaginary axis passing through the center of the circle. Detailed Assembly Drawings are often used for inseparable assemblies: False. Detailed Assembly Drawings are often used for separable assemblies. They display how different parts of the product fit together and function as an integrated unit. In detail drawings, sometimes center marks are short, unbroken lines: False. In detail drawings, center marks are long, unbroken lines that extend across the diameter of the circle to which they are associated.
1. How did Egyptian artists use difference in scale?
a) To portray the differences in the social hierarchy of each figure in their art.
b) To show their own technical skills.
c) To emphasize the importance of natural objects.
d) They did not use it intentionally.
2. Which of the following is NOT one way that Egyptian artists decorated their pottery?
a) By using steatite to carve small vases and amulets
b) By using enamel to cover pottery
c) With abstract, geometric designs
d) By carving the image of a deity to curry favor in the after life
3. How do art historians characterize Egyptian art?
a) Representational
b) Formal and abstract
c) Chaotic
d) Naturalistic
4. What distinguishes Egyptian statues made of wood?
a) They are quite closed off, with arms held to close to their sides.
b) They are expressive, with limbs opened up to create a more realistic look.
c) They have limited positions.
d) The back pillar is exceedingly strong.
5. Why has African tribal art had a major influence on western art?
a) Its exoticism
b) Its visual impact, due to traditional techniques that result in a distinctive type of realism and perspective
c) Its size and scope
d) The subjects it portrays
1. To portray the differences in the social hierarchy of each figure in their art. Option A is the correct answer.
Egyptian artists frequently used the scale technique to represent the social position and prominence of various individuals in their artwork. Pharaohs and goddesses, for example, were frequently represented as greater in scale than ordinary people or animals, emphasising their superior social status.
2. By carving the image of a deity to curry favor in the after life.
Option D is the correct answer.
While Egyptian craftsmen did use numerous techniques to embellish their pottery, such as steatite to carve miniature vases and amulets, enamel to coat pottery, and combining abstract, geometric shapes, they did not typically carve the image of a deity onto pottery for religious purposes.
3.Representational. Option A is the correct answer.
Egyptian art is predominantly figurative, according to art historians. The goal of Egyptian artists was to depict the human and natural worlds in a recognisable and realistic manner. Rather than attempting abstract or chaotic depictions, their artwork frequently focused on depicting persons, animals, and things in a clear and recognisable manner, emphasising their key traits.
4. They are quite closed off, with arms held to close to their sides.Option A is the correct answer.
Egyptian wood statues are frequently distinguished by a closed-off pose in which the arms are clasped closely against the body. This style follows Egyptian sculpture's ancient traditions and artistic tastes, which attempted to convey a sense of stability and permanence. The closed-off position also permitted
5. Its visual impact, due to traditional techniques that result in a distinctive type of realism and perspective.Option B is the correct answer.
Because of its striking effect, African tribal art has had a significant influence on Western art. Western artists have taken an interest in traditional techniques used in African tribal art, such as stylised realism, expressive forms, and imaginative use of materials. Many Western painters have been inspired and motivated by the unusual viewpoints, dynamic compositions, and rich symbolism found in African tribal art, leading to the inclusion of these themes in their own works. Western artists' investigation of African art has also challenged old Eurocentric concepts of aesthetics and increased the possibilities for artistic expression.
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Daria is having difficulty learning her instrument because her arms aren’t long enough to move the slide into the position for some of the notes. What instrument is Daria MOST likely playing?
A : a cello
Explanation: I played it and I couldn’t reach some notes
Answer:
Trombone
Explanation:
the slide extends out far, making it hard for people with shorter arms to reach certain notes