Byron has worked in several kitchens over the years as the one who prepped veggies. He recently took a job in a really big kitchen where this role is split into two: a potager who makes soups and a legumier who handles all vegetable dishes. What role has Byron worked in for many years?

Answer:

"The role and place of international organizations in the economy of Nigeria"

Explanation:

International organizations plays a key role in boosting the economy of Nigeria. There are different organizations that provide their services to different countries in different fields such as heath and economy etc. International organizations such as IMF provides loans to the Nigerian government in order to avoid economic crises that occurs due to recent pandemic. The IMF has approved largest emergency financing package of US$ 3.4 billion to Nigeria in order to counter this pandemic. This help of international organization leads to economic stability of the country so we can conclude from this discussion that international organizations plays a very important role in the economy of Nigeria.

Answer:

7 sjsjsjsjsjsjajsjdbdbehehhwwjwkw

Hi luv! I would help you with the question, but it seems that I can't since I cannot see the picture of the note. I'm sorry. Have a nice day!

Wait, what's the question?

Answer:

insight

Explanation:

Answer:

True

Explanation:

The Bao Dance comes from the Tagalog region. It is a festival dance performed at the harvesting of the cocoanuts. It is danced with ease and grace characteristic of the Philippine folk dance. The dancers hold a half cocoanut shell in each hand and strike them together to provide a rhythmic accompaniment to the dance. Different versions of this dance appear in different regions of the Philippines. This popular version of the Bao Dance was presented to the Federation by Lucile Czarnowski who learned the dance from several native sources. Hope I helped~! ^-^

Answer:

b

Explanation:

Answer:

The answer is b

Explanation:

I just took the test on plato and got 100%

Answer:

Elements of art are stylistic features that are included within an art piece to help the artist communicate. The seven most common elements include line, shape, texture, form, space, colour and value, with the additions of mark making, and materiality.

Answer:

line, shape, texture, form, space, color, and value

Explanation:

Answer: Personal space – immediately around the dancers body.

General space – larger area where movement will occur.

Direction – forward, backward, or diagonal movement.

Pathways – space created by movement (straight or curved) – as if the dancer drew a line with their body – how they move makes a mood.

Explanation:

Answer:

A calligram

Explanation:

A calligram is "a word or piece of text in which the design and layout of the letters create a visual image related to the meaning of the words themselves."

Answer:

i think this is it

Explanation:

everyone will know their roles and responsibilities thus being able to communicate if there is any problems

An effective communication means the ability to convey information to another person in an effective and efficient manner

However, some ways through which one's acceptance of responsibility can influence effective communication includes:

Read more about effective communication

brainly.com/question/26152499

Answer:

The sun rises in Midgard, the dew fresh

It rises to a normal day

Asgards golden gleam shines through

the nine realms

Thor awakes, the storm rises

Loki also, and the games begin

Odin watches all from his perch

on the throne

It may seem normal

But today might be ragnarok

Explanation:

Answer:

Tempo is important in music because it gives the speed of music. Without using the different speeds of tempos like Andante or Moderato our music would be all over the place.

Answer:

strategy is the kind of approach that builds the most complete picture and the most engaging forms of narrative for a growing digitally ambidextrous audience, particularly younger generations. It's all about being where your audience is, and today, they're everywhere.

Explanation:

Answer:

B

Explanation:

As the name indicates, the shapes of the Sans-Serif typefaces are in geometric and it also gives an elegant and a modern look to the letters.

Rachel is designing a logo for a bookstore, the typeface that will be most suitable to give a classic and traditional look is geometric sans-serifs. Thus the correct answer is B.

The logo refers to identification symbols used to recognize any business entity. This logo will be made of symbols and text used in a creative manner to form a unique creation.

The importance of a logo is that it helps to catch the attention of the readers who is visiting the organization. It also helps to create the brand value of the product in the market so that it will be easy to identify the brand among competitors and helps in developing brand loyalty.

Sans serif fonts originate from basic geometric forms such as circles, triangles, and rectangles The geometric shapes of Sans-Serif typefaces, as the title suggests, give the letters an elegant and contemporary appearance.

Therefore, option B geometric sans-serifs is the appropriate answer.

Learn more about the logo, here:

https://brainly.com/question/26631819

#SPJ5

Answer:

They Put feeling and their desire into their work they help people find their habit and encourage others to actually try

Explanation:

Answer:

False.

Explanation:

The days when the spotlight was solely on cowboys did not have music, and furthermore, cowboys were known for staring at the sunset after a long day of work, and a rarity was that they would sing a song, too.

Answer:

false

Explanation:

uhhh the orange hair boi (I forget his name lol)

Answer:

The diameter is 2 times the radius so the diameter of this circle is 13. The circumference of a circle of radius r is given by the formula 2πr . So here, the circumference of this circle is 13π

Explanation:

Answer: what is the question

Explanation:

Answer:

1.D

2.A

3.B

Explanation:

hopefully those are correct

Answer:

4

Explanation:

4

Shakuntala looking for Dushyanta is an epic painting by celebrated Indian painter, Raja Ravi Varma.  Ravi Varma, depicts an important character of Mahabharata, pretending to remove a thorn from her foot, while actually looking for her lover, Dushyantha, while her friends call her bluff.  Tapati Guha-Thakurta, an art historian, wrote;  "This very gesture – the twist and turn of head and body – draws the viewer into the narrative, inviting one to place this scene within an imagined sequence of images and events. On its own, the painting stands like a frozen tableau (like a still from a moving film), plucked out of an on-running spectacle of episodes. These paintings also reflect the centrality of the "male gaze" in defining the feminine image. Though absent from the pictorial frame, the male lover forms a pivotal point of reference, his gaze transfixes Shakuntala, as also Damayanti, into "desired" images, casting them as lyrical and sensual ideals." However, to describe Buddhadev Mukherjee's modest-sized lone man (or single creature) compositions in words is an interesting and telling exercise. The translations share the curious qualities of translated Haikus or transliterated proverbs from a foreign language. They walk the line between hilarity and profundity and the cultural contexts they are created under seem both vaguely familiar and faintly exotic.  Buddhadev Mukherjee's lines are almost imperceptibly weighted. While his earlier schooling in Santiniketan and continuing interest has been in Painting, his official studenthood of Graphic Arts at the Faculty of Fine Arts in Baroda, did leave a permanent impression on his visual vocabulary. It first fragmented and then slowly condensed and streamlined the materality of his paintings. Later, the time spent at the China Academy of Art in Hangzhou on government scholarship, gave him the freedom to encounter the traditional Chinese arts on his own terms which has led to the great fluidity of his line, and the penchant for minute variations on a single theme. It would be interesting to note here that spirits of Chinese and Japanese visual arts had historically been imbibed into the ideals of his previous alma mater, Kala Bhavan in Santiniketan, which had already been imparted to him. (Contemporary art c.1900  CE-Present) To Jana Samudra is a vast space obsessively filled with tiny human figures, henna-coloured, the drawings of isolated men are a striking contrast. But the identity crisis the tiny men suffer is also shared by the meticulously drawn and appendaged men in Buddhadev Mukherjee's suite of drawings. The recurring figure with side-parted hair and apple-blushed cheeks seems to be performing very many functions with deadpan seriousness. Here bathing with slithering snakes falling off along with the waste water, there napping with a train of ducks on his chest, yet everywhere looking sombre and resigned to his fate. Even figures which look clearly older and different, come across as disguises of this lone performer. It's cavalier to identify this performer as either the artist or the viewer but it definitely reminds us of the everyday bizarreness we willingly have to submit ourselves to, without any recourse of escape. In 1947, India became independent of British rule. A group of six artists - K. H. Ara, S. K. Bakre, H. A. Gade, M.F. Husain, S.H. Raza and Francis Newton Souza - founded the Bombay Progressive Artists' Group in the year 1952, to establish new ways of expressing India in the post-colonial era. Though the group was dissolved in 1956, it was profoundly influential in changing the idiom of Indian art. Almost all India's major artists in the 1950s were associated with the group. Some of those who are well-known today are Bal Chabda, Manishi Dey, V. S. Gaitonde, Krishen Khanna, Ram Kumar, Tyeb Mehta, K. G. Subramanyan, A. Ramachandran, Devender Singh, Akbar Padamsee, John Wilkins, Himmat Shah and Manjit Bawa. Present-day Indian art is varied as it had been never before. Among the best-known artists of the newer generation include Bose Krishnamachari and Bikash Bhattacharjee. Another prominent Pakistani modernist was Ismail Gulgee, who after about 1960 adopted an abstract idiom that combines aspects of Islamic calligraphy with an abstract expressionist (or gestural abstractionist) sensibility.  Painting and sculpture remained important in the later half of the twentieth century, though in the work of leading artists they often found new directions. Bharti Dayal has chosen to handle the traditional Mithila painting in most contemporary way and created her own style through the exercises of her own imagination, they appear fresh and unusual.  The increase in discourse about Indian art, in English as well as vernacular Indian languages, changed the way art was perceived in the art schools. Critical approach became rigorous; critics contributed to re-thinking contemporary art practice in India.

Answer:

Shakuntala looking for Dushyanta is an epic painting by celebrated Indian painter, Raja Ravi Varma.  Ravi Varma, depicts an important character of Mahabharata, pretending to remove a thorn from her foot, while actually looking for her lover, Dushyantha, while her friends call her bluff.  Tapati Guha-Thakurta, an art historian, wrote;  "This very gesture – the twist and turn of head and body – draws the viewer into the narrative, inviting one to place this scene within an imagined sequence of images and events. On its own, the painting stands like a frozen tableau (like a still from a moving film), plucked out of an on-running spectacle of episodes. These paintings also reflect the centrality of the "male gaze" in defining the feminine image. Though absent from the pictorial frame, the male lover forms a pivotal point of reference, his gaze transfixes Shakuntala, as also Damayanti, into "desired" images, casting them as lyrical and sensual ideals." However, to describe Buddhadev Mukherjee's modest-sized lone man (or single creature) compositions in words is an interesting and telling exercise. The translations share the curious qualities of translated Haikus or transliterated proverbs from a foreign language. They walk the line between hilarity and profundity and the cultural contexts they are created under seem both vaguely familiar and faintly exotic.  Buddhadev Mukherjee's lines are almost imperceptibly weighted. While his earlier schooling in Santiniketan and continuing interest has been in Painting, his official studenthood of Graphic Arts at the Faculty of Fine Arts in Baroda, did leave a permanent impression on his visual vocabulary. It first fragmented and then slowly condensed and streamlined the materality of his paintings. Later, the time spent at the China Academy of Art in Hangzhou on government scholarship, gave him the freedom to encounter the traditional Chinese arts on his own terms which has led to the great fluidity of his line, and the penchant for minute variations on a single theme. It would be interesting to note here that spirits of Chinese and Japanese visual arts had historically been imbibed into the ideals of his previous alma mater, Kala Bhavan in Santiniketan, which had already been imparted to him. (Contemporary art c.1900  CE-Present) To Jana Samudra is a vast space obsessively filled with tiny human figures, henna-coloured, the drawings of isolated men are a striking contrast. But the identity crisis the tiny men suffer is also shared by the meticulously drawn and appendaged men in Buddhadev Mukherjee's suite of drawings. The recurring figure with side-parted hair and apple-blushed cheeks seems to be performing very many functions with deadpan seriousness. Here bathing with slithering snakes falling off along with the waste water, there napping with a train of ducks on his chest, yet everywhere looking sombre and resigned to his fate. Even figures which look clearly older and different, come across as disguises of this lone performer. It's cavalier to identify this performer as either the artist or the viewer but it definitely reminds us of the everyday bizarreness we willingly have to submit ourselves to, without any recourse of escape. In 1947, India became independent of British rule. A group of six artists - K. H. Ara, S. K. Bakre, H. A. Gade, M.F. Husain, S.H. Raza and Francis Newton Souza - founded the Bombay Progressive Artists' Group in the year 1952, to establish new ways of expressing India in the post-colonial era. Though the group was dissolved in 1956, it was profoundly influential in changing the idiom of Indian art. Almost all India's major artists in the 1950s were associated with the group. Some of those who are well-known today are Bal Chabda, Manishi Dey, V. S. Gaitonde, Krishen Khanna, Ram Kumar, Tyeb Mehta, K. G. Subramanyan, A. Ramachandran, Devender Singh, Akbar Padamsee, John Wilkins, Himmat Shah and Manjit Bawa. Present-day Indian art is varied as it had been never before. Among the best-known artists of the newer generation include Bose Krishnamachari and Bikash Bhattacharjee. Another prominent Pakistani modernist was Ismail Gulgee, who after about 1960 adopted an abstract idiom that combines aspects of Islamic calligraphy with an abstract expressionist (or gestural abstractionist) sensibility.  Painting and sculpture remained important in the later half of the twentieth century, though in the work of leading artists they often found new directions. Bharti Dayal has chosen to handle the traditional Mithila painting in most contemporary way and created her own style through the exercises of her own imagination, they appear fresh and unusual.  The increase in discourse about Indian art, in English as well as vernacular Indian languages, changed the way art was perceived in the art schools. Critical approach became rigorous; critics contributed to re-thinking contemporary art practice in India.

Explanation:

Answer:

The correct. is D. Realism.

The answer is...

Answer:

the answer is D Barque

Explanation:

Cubism is an early 20th-century art movement which took a revolutionary new approach to representing reality. Invented in around 1907 by artists Pablo Picasso and Georges Braque, the pair brought different views of subjects (usually objects or figures) together in the same picture.