Answer the following question in 1-2 complete sentences. An abstract sculpture of a woman's head. She has no hair on the top of her head, and her eyes are large and placed in the center of the egg-shaped face. Define the term tactility. Look at the sculpture shown above, how would you describe its tactility?.

Answer:  1. constructive criticism is a type of feedback that offers advice to help employees, it helps  employees to improve

2. cool feedback is not a criticism  it actually  to think from a different perspective

3. warm feedback is a positive statement about anything

Explanation:

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(e) K. Let's solve the problem step by step to find the answer.

Let's assume the two numbers are x and y, where x is the smaller number and y is the larger number.

According to the given information:

1. x + y = K

2. 2x = (1/2)y

To solve for x and y, we can rearrange equation 2 to get y in terms of x:

y = 4x

Substituting this value of y in equation 1, we have:

x + 4x = K

5x = K

x = K/5

Now, we can substitute the value of x back into equation 2 to find y:

2(K/5) = (1/2)y

K/5 = (1/2)y

y = (5/2)(K/5)

y = K/2

So, the two numbers are x = K/5 and y = K/2.

The two equal numbers obtained by doubling the smaller number and halving the larger number are:

2(K/5) = (2/5)K

(1/2)(K/2) = (1/4)K

The sum of these two equal numbers is:

(2/5)K + (1/4)K = (8/20)K + (5/20)K = (13/20)K

Therefore, the answer is (e) K.

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When practicing an extemporaneous speech out loud, there are multiple reasons why it can be beneficial. The following options highlight some of these reasons:

- It can provide the opportunity for audience feedback: Practicing your speech aloud allows you to gauge the audience's reaction and adjust your delivery accordingly. This feedback helps you refine your message and connect better with your listeners.

- It can help you master the content of your speech: Speaking your speech out loud helps you internalize and understand the material more effectively. It allows you to identify areas that may need further clarification or improvement, enabling you to refine your content and delivery.

- It can help you time your speech accurately: By practicing your speech out loud, you can gauge the timing and ensure that you stay within the allocated time limit. It helps you pace yourself and maintain a consistent flow, avoiding rushing or exceeding the time constraints.

Note: "It can help you memorize the exact words of a speech" is not a valid reason for practicing an extemporaneous speech out loud since extemporaneous speeches are not meant to be delivered word-for-word memorized. Instead, they rely on a prepared outline or key points, allowing for flexibility and spontaneity in the actual delivery.

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The musical interval that will result when two strings of identical wave speed but different specified lengths are sounded together is known as an interval of harmonic consonance.

This interval is created by the different wave lengths of the two strings. When the two strings are played together, the longer string will vibrate at a slower rate than the shorter string, resulting in an interval of harmonic dissonance. This is because the wave length of the longer string is longer than the wave length of the shorter string, and therefore the two wave lengths do not match up perfectly.

This creates an interval of harmonic dissonance between the two strings, resulting in a unique sounding musical interval. This interval of harmonic dissonance can be used to create interesting and unique musical compositions.

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complete question is :

musical interval that will result when two strings of identical wave speed but different specified lengths are sounded together. explain.

The parameters threshold, ratio, attack, and release are indicative of the type of effect known as compression. Compression is a process where the dynamic range of an audio signal is reduced, meaning that the loud parts are made quieter and the quiet parts are made louder.

The threshold determines the point at which compression begins to take effect, the ratio controls how much the signal is compressed once it passes the threshold, the attack determines how quickly the compressor kicks in once the signal crosses the threshold, and the release determines how quickly the compressor stops working once the signal falls below the threshold again.

All of these parameters can be adjusted to achieve a desired effect on the audio signal, but they all play a crucial role in the compression process and can have a significant impact on the final sound. A long explanation can be necessary to fully understand how these parameters work together to create a compression effect.

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In the third movement of Haydn's Trumpet Concerto in E flat major, he signals the start of the variation on theme b by introducing a new melody that is distinctly different from the previous one. This melody is played by the orchestra in unison, with a lively and energetic tempo that sets the stage for the variation to come.

Additionally, Haydn uses a number of other techniques to signal the start of this variation. For example, he changes the key of the piece from E flat major to C minor, which creates a sense of tension and anticipation. He also introduces new instrumentation, such as the use of the bassoon, which adds a rich and complex texture to the music.Another way that Haydn signals the start of the variation on theme b is through the use of dynamics.

He gradually increases the volume of the music, building up to a crescendo that signals the arrival of the new melody. This creates a sense of excitement and anticipation, drawing the listener in and preparing them for the variation to come.Overall, Haydn employs a variety of musical techniques to signal the start of the variation on theme b in the third movement of his Trumpet Concerto in E flat major.These techniques include changes in melody, key, instrumentation, and dynamics, all of which work together to create a sense of excitement and anticipation as the music unfolds.

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Haydn signals the start of the variation on theme B in the third movement of his Trumpet Concerto in E-flat major by using a change in orchestration, rhythmic alteration, and melodic development.

First, Haydn changes the orchestration, which is the way instruments are used in the music. The trumpet takes a more prominent role, playing the melody while the rest of the orchestra provides accompaniment. This shift in instrumental focus draws attention to the new theme.

Second, Haydn employs rhythmic alteration to introduce variation on theme B. Rhythmic alteration means changing the note values or adding rhythmic embellishments to the original theme. Haydn modifies the rhythm of theme B to create a sense of contrast and development from the previous theme. This rhythmic transformation also helps to emphasize the beginning of the new variation.

Lastly, Haydn incorporates melodic development in the variation on theme B. Melodic development is the process of expanding, transforming, or reworking an existing melody. In this case, Haydn takes theme B and introduces new melodic ideas, further enhancing the sense of change and progression in the music. This melodic development helps to distinguish the variation on theme B from the original theme and signals the start of this new section in the third movement of the Trumpet Concerto in E-flat major.

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The sentence that explicitly delivers the same message as the implicitly described experience is: "The movie made me cry."

In the implicitly described experience, the person mentions sitting in the theater and feeling salty drops run from their eyes, which implies that they were moved to tears. The explicit sentence "The movie made me cry" directly states that the movie caused the person to cry, conveying the same message as the implicit description.

The other options do not convey the same message. "The chair gave me allergies" introduces a new element of allergies that was not mentioned in the original description. "The darkness scared me" focuses on fear rather than the emotional response of crying. "The water splashed my face" introduces water and physical contact, which are not present in the original description.

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The dataset provided consists of exam scores of 10 test takers. The standard deviation can be calculated to measure the spread or variability of the scores around the mean.

To calculate the standard deviation of the exam scores, follow these steps:

1. Find the mean (average) of the scores. Add up all the scores and divide the sum by the total number of scores (10 in this case). The mean is calculated as (20+40+60+60+75+80+70+65+70+90) / 10 = 65.

2. Calculate the difference between each score and the mean. Subtract the mean from each score and write down the differences: -45, -25, -5, -5, 10, 15, 5, 0, 5, 25.

3. Square each difference. Square each of the differences obtained in the previous step: 2025, 625, 25, 25, 100, 225, 25, 0, 25, 625.

4. Find the mean of the squared differences. Add up all the squared differences and divide the sum by the total number of scores. The mean of squared differences is calculated as (2025+625+25+25+100+225+25+0+25+625) / 10 = 325.

5. Take the square root of the mean of squared differences. The square root of 325 is approximately 18.03.

Therefore, the standard deviation of the exam scores is approximately 18.03. This indicates the amount of variation or dispersion in the scores around the mean value of 65.

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The question of whether the paintings created by orangutans, elephants, gila monsters, and meerkats at the exhibit held by the El Paso International Airport and the El Paso Zoo qualify as art is subjective and open to interpretation.

In favor of considering it art, one could argue that art is not limited to human creation alone. It is a form of expression that can transcend species boundaries. The animals in question are given the opportunity to engage in a creative process, using various techniques and materials, resulting in unique visual representations. The intention behind their actions, the process of creation, and the final outcome can be seen as elements that align with the broader definition of art.

Furthermore, the artistic value of these animal-created paintings can be appreciated from a perspective of novelty and authenticity. The works possess a certain rawness and instinctive quality, reflecting the natural behaviors and characteristics of the animals involved. This offers viewers a fresh and unconventional experience, challenging preconceived notions of what art should be.

On the other hand, arguments against considering these paintings as art could be based on the concept of intentionality and the role of human agency in artistic expression. Critics may argue that true art requires conscious intention, conceptualization, and the ability to convey abstract ideas or emotions. Since animals lack the same level of cognitive understanding and artistic intent as humans, their creations may be considered more as a byproduct of their natural behaviors rather than deliberate artistic expression.

In conclusion, the question of whether the paintings created by orangutans, elephants, gila monsters, and meerkats qualify as art is a matter of perspective. While some may find value in the novelty, authenticity, and creative process involved, others may argue that art necessitates conscious intent and human agency. The exhibit provides an opportunity for viewers to engage in this debate and challenge their preconceptions about art.

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The sculpture by Claes Oldenburg and Coosje van Bruggen called Plantoir creates shock value through the use of scale and juxtaposition.

In the work, Plantoir, Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale by creating a large, three-dimensional representation of a garden tool.

In the work, Plantoir, artists Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale. The work is a large, three-dimensional representation of a common garden tool- a plantoir or a trowel. Its enormous size gives it a surreal effect that captures the viewer's attention and creates a sort of shock value. The artists often used everyday objects, inflated to a monumental scale, to blur the boundaries between art and reality. Thus, the shock value in the work Plantoir emanates from the unexpected transformation of a regular, mundane item to an unusual, gigantic piece of art.

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